When Guillermo del Toro approaches a classic, he doesn’t restore it, he rebuilds it.

His adaptation of Frankenstein is no exception. Long before cameras roll, the visual identity of the film begins taking shape through an intensive collaboration between del Toro and costume designer Kate Hawley. Their process reveals how costume can function not as historical decoration, but as narrative architecture.

A Modern Victor Frankenstein

One of the most radical departures from expectation lies in Victor’s wardrobe. Instead of soft pastels or overly ornamental period dress, Hawley sought something sharper and more contemporary in energy.

The reference point? Mick Jagger!

Victor’s clothing is designed to communicate charisma, ego, and volatility. Hundreds of preliminary sketches were produced before one design ultimately crystallized del Toro’s vision. That initial concept then evolved through extensive fittings, becoming a layered wardrobe that subtly reflects Victor’s changing status, ambition, and psychology.

Through deliberate color coding, modern reinterpretation, and close collaboration, Hawley and del Toro transform clothing into storytelling. Before a character speaks, the audience already understands something essential about them.